Rumpus: I really like that idea of being clones of ourselves. It’s something I think you and Tao brought to light in the Bebe Zeva movie. Because while Bebe was “Bebe” she was also someone else, and especially in that scene near the end in the pool, where she seemed most unguarded and afraid. That scene was genius and very touching. It was, honestly, hard to watch but in a good way. It was almost as if she was on the edge of something, some decision. I’m wondering, were you aware of this or did this just happen sort of fast and naturally?
Boyle: It happened mostly fast/naturally but I had been aware of the shift in group dynamic since returning to the hotel (“since returning to the hotel” is like a cliffhanger…) and how we were talking in the hot tub seemed like a quiet, distracted almost ‘mirages’ of the high energy conversations from earlier…There was an awareness that each of us were probably aware of that and I was wondering what Bebe was thinking a lot, thinking she may have been having personal conflicts with Travis that she might want to keep private, but we were filming a documentary about her. At that point in the night I think all of us were subtly aware of things ending but unsure of how the ending would happen.
NEW YORK TIMES PROFILES BEBE ZEVA (ON THE OCCASION OF THE PREMIER OF BEBE ZEVA)
